One of the first topics presented in the undergraduate social informatics course (I202) that I have been helping to teach for the last couple years is technological determinism – a perspective that views technology as an almost unstoppable force that impacts society and forces it to conform to the technology. While it is understandable how someone who lived through the industrial revolution might have this view, research in the last few decades has roundly refuted it as a theory and restored human agency as a crucial dynamic in technological development. However, remnants of technological determinism are still visible in advertising, technophilic magazines like Wired, and even sometimes in academic research.

One of the first assignments in I202 asks students to find one of these examples of technological determinism. So a few weeks ago I flipped through my latest issues of Wired to find some good examples that I could talk about in class to illustrate what they needed to do. To my surprise, this turned out to be an uncharacteristically difficult enterprise. Instead of the typical portrayals of the latest and greatest technology taking over the world, I saw technologies that empowered humans to meet their goals (although there were still a few with overtones of technological world domination). Most of the technologies were positioned as subservient, not assertive or demanding.

Television commercials for big tech companies, like Intel and IBM, have also recently been showcasing the people who work there more than specific technologies. Employees and human needs take center stage; the technologies are almost incidental.

The latest Intel commercials are particularly interesting (not to mention brilliant and amusing). One shows the co-inventor of USB technology being treated as a rock star as he walks through the office at Intel. Another shows a room full of people on their hands and knees looking for an extremely small dropped device.

The USB commercial places a quite dramatic emphasis on the human agency that brought the technology into existence – the technology itself doesn’t appear at all.

In the lost device spot, there is also an interesting relationship between people and the technology. First, the device itself is physically tiny in relation to humans. Instead of the technology looming over people, it is rather the people who loom over the technology and actually have to take care of it in a way.

After noticing this general tendency in the technological zeitgeist, I started wondering what brought it about. My theory is that it is related to the recession. There is now a diminished faith in the ability of the free market to (on its own) bring prosperity. One of the stronger strands of technological determinism is related to this logic of the free market, asserting that the free market will ensure that the best and most efficient technology wins. It seems logical that our skepticism about the free market might then carry over to a skepticism about technology as well, or at least technology that exists as part of a natural trajectory of development independent of human needs, goals and consequences. If this is in fact the case, hopefully this human-centric attitude toward technology will persist even after the recession.

In a recent Daily Show segment, reporter Jason Jones skewered the New York Times for printing ‘aged news’ rather than ‘real news’: when web pages can be updated moments after something happens, a report that is printed the next day is already old.

This digital media-enabled push toward real-time news does seem to sound the death knell for traditional media, at least in its role of news source. I’m not incredibly sentimental about paper newspapers, but what exactly is it that we are heading toward?

One of the most powerful recent examples of digital media being used to report breaking news in real time was the use of Twitter to cover the Iran election and ensuing protests. Reports from people within Iran via Twitter were frequently the best or only source of information regarding what was happening. CNN was, especially at first, criticized (via the #CNNFail hashtag) for not monitoring what was going on through social media sites, particularly Twitter, although they did do this more later on. The Iran election coverage is an example of one of the positive uses of digital speed, allowing the rest of the world to monitor the actions of the Iranian regime in a way that would not otherwise be possible.

On the other end of the spectrum, there is also another recent example of real-time ‘news’ that is arguably not as  productive. After his recent death, the news media seemed to be able to talk about nothing besides Michael Jackson. The choice to cover all things Michael Jackson rather than, say, the continuing Iran election protests, police violence against Uighurs in China, or the overthrow of the government in Honduras, is one issue. But what I want to focus on instead – and the example that I found probably the most disturbing – is the focus on real-time updates.

On the morning of Michael Jackson’s memorial service, I turned on CNN foolishly hoping that they might cover some real news, since the memorial wasn’t due to start for several hours. Instead, what I saw was a reporter in front of the arena where it was going to take place, in the dark, reporting that no one was there yet.

In my opinion, this is the perversion of our collective conditioning to want to know what is going on in real-time – even if it is just to be reassured that nothing is going on and therefore we are not missing anything. This was foreshadowed by Marshall McLuhan when he talked about the immediacy of media, and about the world imploding because of electric speed.

I’ve just started a long-overdue reading of McLuhan, and I was struck by several things he said in the introduction to Understanding Media:

In the electric age, when our central nervous system is technologically extended to involve us in the whole of mankind and to incorporate the whole of mankind in us, we necessarily participate, in depth, in the consequences of our every action. It is no longer possible to adopt the aloof and dissociated role of the literate Westerner.

And:

Electric speed in bringing all social and political functions together in a sudden implosion has heightened human awareness of responsibility to an intense degree. It is this implosive factor that alters the position of the Negro, the teen-ager, and some other groups. They can no longer be contained, in the political sense of limited association. They are now involved in our lives, as we in theirs, thanks to the electric media.

And finally:

The aspiration of our time for wholeness, empathy and depth of awareness is a natural adjunct of electric technology.

McLuhan highlights some of the positive possibilities of electric speed, such as the potential for experiencing a greater sense of responsibility and empathic connection to others. (And he wrote this in 1964, before the internet!) So why is it that this potential is so frequently not realized?

I think part of the reason might lie in the distinction between knowledge and wisdom. We can now get information about what is going on in the world – lots of it – in real time. And the currency and immediacy of that information seems to be the accepted indicators of value. But in the constant quest to find out what is going on at any given instant, there is little time to reflect about what it all means.

Reflection is the process that can turn knowledge and experience into wisdom. But how can reflection be encouraged in this era of electric speed?

Maybe one approach would be to extend reflective design research. This line of research has thus far explored ways in which information can be presented in informative but ambiguous ways that encourage reflection. Is there a way to go beyond the typical examples of reflection about personal or office activities to encourage sustained and productive reflection about, say, community dynamics, national political issues, or even things happening in other parts of the world?

The short and fickle attention span that is the norm on the internet is conducive to superficial awareness, but not deep understanding of complex issues that can lead toward productive action. Yet it seems that the ‘electric media’ still has the potential to facilitate a sense of implication in each other’s lives and of the consequences of our actions that McLuhan described. The only (rather large) question is: How can we design to create space for this type of reflection?

For the last class of HCI seminar Marty Siegel asked us to draw a picture of our research and explain it in one page. So I tried to illustrate and talk about what I mean by design ripples. Here is my attempt:

Design Ripples, Illustrated

(I don’t know why I couldn’t get this to show up inline, but it wasn’t for lack of trying.)

Last week at CHI 2009 I presented the work Jeff Nichols and I did on the PlayByPlay project. I’m posting a link to the paper and a PDF version of the presentation here. This has been a great experience, and I am grateful to Jeff and IBM for the opportunity to work on the project and to my colleagues at IU for the support at my presentation!

Paper (at the ACM digital library)

http://portal.acm.org/citation.cfm?id=1518701.1518975

Presentation (~8MB PDF)

http://tinyurl.com/cufmw6

I just saw this image at the PostSecret community art project site and thought it was an interesting commentary on the social dimensions of technology.

http://4.bp.blogspot.com/_a7jkcMVp5Vg/SXKVDYEagqI/AAAAAAAAHzQ/ySwJh0IlDF0/s1600/text.jpg

http://4.bp.blogspot.com/_a7jkcMVp5Vg/SXKVDYEagqI/AAAAAAAAHzQ/ySwJh0IlDF0/s1600/text.jpg

I’ve always been opinionated. But recently I’ve been noticing that technology is giving me more ways than ever to express my opinionated self, and maybe even encouraging me to be more opinionated than I would be otherwise.

Case in point: Pandora. I love Pandora. One of the things I like the most is that I can give it feedback. I can tell my digital DJ when it’s doing a good job and when it’s on the verge of being fired. (Well, I may not be able to express quite that strong of an opinion, but the thumbs-down lets me at least get at my general sentiment.) Ever since I started using Pandora last summer it has provided the soundtrack of my life, taking over the role that KCRW Music had filled for the past couple years. Recently, though, I decided to check back in with KCRW, and found that my experience of it was different. I missed my thumbs. My voting thumbs, that is. When one of the (excellent) KCRW DJs played something I didn’t like, there was absolutely nothing I could do about it (other than turn it off completely, of course). It is somewhat ironic that one of the reasons I wanted to listen to KCRW for a while again was that I wanted to be exposed to music I wouldn’t be exposed to through my self-selected Pandora channels; and yet when some of this music played I grew immediately impatient.

Netflix is another service I’ve started to use in the last few months which has also encouraged me to be happily opinionated. The more movies I rate the better my recommendations will get, they tell me. As in the case of Pandora, the Netflix system figures out the types of things I like and recommends other options that are quite similar.

While Pandora and Netflix solicit ratings very explicitly and for the purpose of refining personal recommendations, the general idea of user feedback and interactivity is one of the themes of Web 2.0.* In the world of journalism, for instance, we are generally no longer toleratant of  a one-way flow of information from corporate producers to consumers, insisting rather that we be able to at least give feedback. One interesting example of this type of thing is the CNN/Facebook partnership for inauguration day coverage.

I’ve also found that just having the ability to broadcast my current thoughts to the people I’m connected to on Facebook and Twitter has allowed me to express my opinions on things I would probably not talk to them about otherwise. For example, my Facebook and Twitter friends have heard a decent amount on my opinions of the Indiana winter weather recently. (In case you’re wondering, they’ve been overwhelmingly negative.)

While I do like to be able to express my opinions, particularly in ways that enable more personalized service (as with Pandora and Netflix), at the same time I wonder if these systems might prevent me from being exposed to things that could expand my horizons or challenge me in positive ways. If a track plays on Pandora that is not readily accessible or that does not conform to my current tastes, I will likely give it a thumbs-down and go on to the next track. On the other hand, if the same track plays on the radio, I will probably sit it out, and perhaps even grow to like or at least appreciate it.

As with a lot of things, this is probably a case where everything has its place. And this is why I’ve started to bring KCRW back into my playlist once in a while.

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*I know there are about as many definitions of Web 2.0 as there are geeks, but I’m pretty sure that the idea of feedback and interactivity is a commonality. At least that’s my opinion.

Disclaimer: I just posted this on my old blog at heatherwiltse.com, but am duplicating it here so this new blog won’t look so bare and empty!

I just listened to the 2008 year in review episode of the NPR All Songs Considered podcast, and was intrigued by a reference that the commentators made to technology in a discussion of the over-arching themes or moods of 2008 music. One of the main themes that they identified was that of retreat, solitude, reflection, etc., as exemplified by artists such as Bon Iver and Fleet Foxes. One commentator (I think it was Bob Boilen) equated this with the ‘death of the boom box’: the public listening experience of the boom box has given way to the more solitary and intimate experience of music through iPod headphones.

I thought it was interesting how there could be this synergy between musical trends/evolution and the evolution of our collective listening habits. Then of course, being the nerd academic I am, I started wondering what kind of sociotechnical theory could be used to account for this. Does technical change cause musical change, or vice versa? Do they mutually shape each other? Are they causally unrelated, and the iPod experience just happens to accentuate one of the current musical moods?

I’m not going to work through all that, and it may be just coincidence. But even if it is, I still think it’s interesting to think about how technology design shapes the way that we relate to and experience music.

I have decided to move my blog over to here from heatherwiltse.com, because I realized that the iWeb software I use for that site is not the best for publishing a blog. More soon. =)